Kamerino: Catalan shop comes to Dublin

KAMERINO POP-UP SHOP. Barcelona

Exclusive five-day sale of a unique collection of handmade pieces from the old workshop of a historic Barcelona shop specializing in party favours and theatrical curios.

You’ll find cardboard masks, hats and instruments, genuine Japanese lanterns, paper toys and a dazzling array of other weird and wonderful objects made between 1926 and 1948.

From Wednesday 1st March 2017 until Sunday 5th March 2017

Open: 10am-6pm daily

Adifferentkettleoffishaltogether, 18 Ormond Quay Upper, Dublin 7

The Catalan artist/performer/scenographer/collector and antique furniture restorer Xavier Palet Sabater will set up his exquisite shop at 18 Ormond Quay Dublin 7.  Now the new home of Dublin Civic Trust.  This will be the final event to take place in this historic building before the Trust begin renovations and the scaffolding goes up.

Please call in and visit over the week.  Xavier is selling rare Catalan stock from 1926-1948 and will be giving a demonstration and talk on Saturday 4th March at 3 pm in 18 Ormond.  (Adifferentkettleoffishaltogether)

This is a free event but limited seating – 20 persons

Please email farcryproductionsltd@gmail.com to book a place

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Kamerino shop, Barcelona

 

 

POP-UP SHOP KAMERINO. Barcelona

Exclusiva venta durante seis días de la inédita colección recuperada de un antiguo almacén de Barcelona dedicado a la fabricación artesanal de artículos de teatro y fiesta entre los años 1926 y 1948.

Podréis encontrar máscaras, sombreros e instrumentos de cartón, auténticos faroles japoneses, juguetes de papel y una infinidad de objetos curiosos…

Además, programaremos una charla teatralizada para dar a conocer el proyecto.

Estaremos en a different kettle of fish altogether, 18 Ormond Quay Upper, Dublín, del 28 de febrero al 5 de marzo de 2017.

Horario: 10 h a 18 h

Encontraréis más información en la página de Facebook Kamerino Collection in Dublin.

 

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Please join us for Xavier’s workshop on Saturday 4th March at 3pm in 18 Ormond Quay Upper (adifferentkettleoffishaltogether)

 

xavier.jpg  Xavier Palet Sabater was born in a small town in L’Empordà, Catalonia. In 2000 he embarked on an artistic career restoring antique furniture and artwork while managing his workshop and the Kamerino shop in Calonge. Since 2007 he has also worked in the field of performance art and theatre, designing, directing and performing his own work at a number of festivals. In 2016 he launched the Kamerino de l’Enginy project in Barcelona.

 

timTim James Morris grew up on the south coast of England to a family with Welsh roots, but has lived for the last 15 years in Barcelona, where he translates for art exhibitions, festivals and other cultural events.

(Tim will be translating Xavier’s talk on Saturday 4th March)

Further information on the Kamerino Collection in Dublin Facebook page.

Supported by: Dublin Civic Trust/Farcry Productions/The Temple Bar Company/DCCFarcryLogos.indd

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Dublin Civic Trust Bookfair Saturday 10th December

Saturday 10th December 2016 from 11am until 5pm, Dublin Civic Trust  who now reside at 18 Ormond Quay Upper Dublin will hold a book sale of their  many publications covering interests from the streets of Dublin to best practice in maintaining your heritage building.

Perfect Christmas gifts, walking tours of Dublin, Conservation and restoration manuals, Trees of Trinity, and many, many more…….

Drop in and get to know the Civic Trust.  They Rock!

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An tAthair Pádraig Ó Fiannachta -Oidhreacht

Tonight celebrate Culture Night and those who make it.

I was privileged to know, and have some of my work translated by, the magnificent Irish scholar, priest, poet, publisher and sage Pádraig O Fiannachta.  His cultural breath still breathes on this great land of ours and its influence gives life throughout the cultural world.

The text below is a translation from our 2006 work ‘Letting Go of That which you most Ardently Desire’ an artwork that dealt with the issue of armed struggle in Irish history and our recent decommissioning process.

An tAthair O Fiannachta passed away in July of this year into the mythical.

                                                  Ní fheicimíd a leithéid arís ann

gunbutts                                      

 

  The Grip That Binds Us

As human beings we are constantly trying to deal and come to terms with internalised trauma.  Being unable or unwilling to resolve certain issues, we cling even tighter to them and, though we yearn for peace and rest and progress, we can’t seem to let go of that which threatens to destroy us.

What is it like to walk away from conflict, to put your weapons beyond use?  To dwell upon all the years committed to the never ending cycle of fright, fight, flight.  Resentment, hatred, fury and denial all form part of the energy field that has dominated us human beings for thousands of years.
Along with the hardware, these emotions need to be deactivated if the grip that has bound us for generations to armed conflict is to be loosened finally and permanently.

Letting go is always a process of loss, a process of grieving. The dawning realisation that you cannot retake what you’ve reconciled to let go of.  And the final, slow acceptance that it is no longer of service to you anyway.
The grip that binds us is a reflective process which offers participants a chance to engage with the emotional dynamics  that underlie letting go and the emergence of something new.

© Gerard Mannix Flynn

Glas-snaidhm orainn

Bímid, mar dhaoine daonna, de shíor ar gor ar chréachtaí inmheánaithe, agus ag iarraidh bheith réidh leo. Toisc nach féidir linn, nó nach toil linn, fadhbanna áirithe a réiteach, is daingne fós ár ngreim orthu; cé go mbímid ag tnúth le síocháin, le suaimhneas agus le dul chun cinn, ní bhíonn ar ár gcumas, de réir dealraimh, scaradh leis an rud seo a bhíonn á bhagairt sinn a scrios.

Conas a mhothaíonn sé cúl a thabhairt le coimhlint, d’airm a chur ó mhaith?
Bheith ag cuimhneamh gan stad ar na blianta gan áireamh gafa ag sceon agus comhrac, tóir agus teitheamh, teitheamh agus tóir.
Tá fuath agus fíoch, fearg agus faltanas i réim i ngarraí treafa polaitíochta Éireann leis na cianta cairbreacha.

Ní hiad na hairm chogaidh amháin atá le cur ó mhaith agus le scrios ach freisin na mothúcháin úd go léir a nasc sinn, glúin ar ghlúin, le cogaíocht an ghunna – táid le scaoileadh go deo faoi dheireadh thiar thall.

Is geall le cailliúint, le caoineadh, i gcónaí rud a scaoileadh uait. Tuigeann tú de réir a chéile nach féidir leat greim a fháil go deo arís ar an rud ar ar réitigh tú scaradh leis. Glacann tú leis de réir a chéile nach aon tairbhe duit é cibé scéal é.

An glas-snaidhm a cheanglaíonn sinn, is próiséas meabhrach é a thugann caoi dóibh siúd a bhíonn páirteach ann dul i ngleic leis na fórsaí mothaithe is bonn don scaoileadh ar shiúl agus do shaolú na nua-bhreithe.

© Gerard Mannix Flynn
Aistriúcháin – Fr. Pádraig Ó Fiannachta

 

 

Farcry – Emptied Memories Event

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Farcry Productions – One Off Series

EMPTIED MEMORIES

A presentation on the workings of digital Theatre and contemporary dance practice from Taiwanese artist Chou, Tung-Yen

There will be a 20 minute film presentation of Emptied Memories Dance piece after which Chou, Tung-Yen will speak about the making of this work. Questions will be taken at the end of the presentation.

Thursday September 19th at 7.30pm

Adifferentkettleoffishaltogether, 18 Ormond Quay Upper, Dublin 7

Admission Free: Limited Space please book a seat through farcryproductionsltd@gmail.com

www.farcryproductions.ie

About Emptied Memories

Emptied Memories

Emptied Memories is the ongoing exploration into space and memory through theater and moving image that scenographer Chou, Tung-Yen has undertaken in recent years. In 2011-2012, under the sponsorship of Ministry of Culture, he invited the choreographer Chou, Shu-Yi to try to co-create an “empty space” by using “space” and “memory” as the core from which to start. The creation employs the technological integration of panoramic video, real-time image processing, sensors and wireless stage control system. The performer drives the external deformation of the material world, echoing the internal state, in order to present the organic flow of one’s mind landscape.

In October 2011, it was presented in its work-in-progress stage and one year later premiered in 2012 Digital Performing Arts Festival. Now the voyage of Emptied Memories continues.

“Precise images and body movements.
 An exploration into the deepest mind.”

──by Wang, Jun-Jieh (Chief Director of Center for Art and Technology, TNUA)

 “An exclusive experience of making stream of consciousness visible”

──by Ping, Heng (Former Artistic Director of National Theater & Concert Hall)

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About – Chou, Tung-Yen

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CHOU, Tung-Yen holds a MA in Scenography with distinction from Central Saint Martins College of Art and Design in London and a BFA in Theatre Directing from TNUA. Currently a lecturer teaching in the School of Theatre, Taipei National University of the Arts, he is also the director of Very Mainstream Studio. CHOU works mainly in film and theatre arts. His film and video works have been nominated and participated in various international film festivals. Recently he has collaborated closely as well as diversely with many of Taiwan’s performing arts groups (including Performance Workshop, Godot Theatre Company, Tainaner Ensemble, Flying Group Theatre, Shakespeare’s Wild Sisters Group, Taiwan Drama Performance, Dark Eyes Performance Lab, Scarecrow Contemporary Dance Company, Horse DanceTheatre, National Symphony Orchestra and Taipei Chinese Orchestra) In addition, CHOU has also done excellent work in interdisciplinary creative projects incorporating technology with performing arts.

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